Crítics

Rosa Faccaro:
"The character that emanate from these sculptures talks of love for the chosen vocation, expressed in fine creations with the conceptual clarity and plastic level required by each work..."

Carmen Balzer:
"An obsession of curved, oval and circular forms, give birth to rounded geometric sculptures, all of them "wavy, caressing, of suave musicality"

Raúl Santana:
"Her works establish a subtle demarkation of the space that, besides propitiating the encounter of the inside with the outside, mobilizes the surroundings, making the void a protagonist as important as matter itself"

Guillermo Whitelow:
"Thus, displacing and interlacing armoniously, ríthmically, visual elements that succeed with simple, elegant naturality, this inspired artist installs delicate architectures that, although they vibrate almost tenuously, they still do not lack a secret force that animates them with a joyous life"

Raúl Santana:
"Mobilizing its surroundings with light alluminium stripes lonvingly belaboured, making them enter and exit the work itself with a vertiginous play of lights and shadows, these Irene von Lipka's sculptures - beautiful and evasive apparitions - show themselves as the conquest of the space they open, these new place invented by the work itself in order to inhabit it"

César Fioravanti:
"As apt in mastering symmetry as orthogonality, Irene treats her sculptures with a technical and conceptual professionality, seldom seen in our environment. Spaces, volumes, hollows and masses, are displayed with a scientific rigour where the spacial composition plays with an
matchless rationality"